Emergence and early history
English heavy metal band Venom, from Newcastle, crystallized the elements of what later became known as thrash metal, death metal and black metal, with their 1981 album Welcome to Hell.[15] Their dark, blistering sound, harsh vocals, and macabre, proudly Satanic imagery proved a major inspiration for extreme metal bands.[16] Another highly influential band, Slayer, formed in 1981. Although the band was a thrash metal act, Slayer's music was more violent than their thrash contemporaries Metallica, Megadeth, and Anthrax.[17] Their breakneck speed and instrumental prowess combined with lyrics about death, violence, war and Satanism, won Slayer a rabid cult following.[18] According to AllMusic, their third album Reign in Blood inspired the entire death metal genre.[19] It had a big impact on the genre leaders such as Death, Obituary and Morbid Angel.[17]Growing popularity
By 1989, many bands had been signed by eager record labels wanting to cash in on the subgenre, including Florida's Obituary, Morbid Angel and Deicide.[33] This collective of death metal bands hailing from Florida are often labeled as "Florida death metal". Death metal spread to Sweden in the late 1980s, flourishing with pioneers such as Carnage, God Macabre, Entombed, Dismember and Unleashed. In the early 1990s, the rise of the melodic death metal was recognized, with bands such as Dark Tranquillity, At the Gates, and In Flames.To close the circle, Death released their fourth album Human in 1991, an example of modern death metal. Death's founder Schuldiner helped push the boundaries of uncompromising speed and technical virtuosity, mixing technical and intricate rhythm guitar work with complex arrangements and emotive guitar solos.[34] Other examples are Carcass's Necroticism – Descanting the Insalubrious, Suffocation's Effigy of the Forgotten and Entombed's Clandestine from 1991. At this point, all the above characteristics are present: abrupt tempo and count changes, on occasion extremely fast drumming, morbid lyrics and growling vocal delivery.
Earache Records, Relativity Records and Roadrunner Records became the genre's most important labels,[35] with Earache releasing albums by Carcass, Napalm Death, Morbid Angel, and Entombed, and Roadrunner releasing albums by Obituary, and Pestilence. Although these labels had not been death metal labels, initially, they became the genre's flagship labels in the beginning of the 1990s. In addition to these, other labels formed as well, such as Nuclear Blast, Century Media, and Peaceville. Many of these labels would go on to achieve successes in other genres of metal throughout the 1990s.
In September 1990, Death's manager Eric Greif held one of the first North American death metal festivals, Day of Death, in Milwaukee suburb Waukesha, Wisconsin, and featured 26 bands including Autopsy, Broken Hope, Hellwitch, Obliveon, Revenant, Viogression, Immolation, Atheist, and Cynic.[36]
Later history
Death metal's popularity achieved its initial peak between the 1992–93 era, with some bands such as Morbid Angel, Cannibal Corpse, and Obituary, enjoying mild commercial success. However, the genre as a whole never broke into the mainstream. The genre's mounting popularity may have been partly responsible for a strong rivalry between Norwegian black metal and Swedish death metal scenes. Fenriz of Darkthrone has noted that Norwegian black metal musicians were "fed up with the whole death metal scene" at the time. Death metal diversified in the 1990s, spawning a rich variety of subgenres which still have a large "underground"sumber: http://en.wikipedia.org/wiki/Death_metal
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